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Average ratings - 8,8 of 10 / resume - On an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman / Writed by - Céline Sciamma / casts - Noémie Merlant / country - France / Rating - 34548 vote

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Feminine and feminist cinema. Is there such a thing? If there is one, I think 'Portrait de la jeune fille en feu' the film written and directed by Céline Sciamma, which received the best screenplay award at the Cannes Film Festival, would be the best example. The film is designed, made and played almost exclusively by women, actually there is no consistent male character, and in fact almost no men show up on screen excepting the introductory and the final scenes. Although the action takes place sometime, at the end of the 18th century, in a world of men, where those enjoyed almost exclusively political and economic rights, it describes a mini-universe of women and their struggle to be at least in part master on their fate, and to assert themselves socially and artistically. If anyone is shocked by this concept of an exclusively feminine movie, they should think about the countless war or action movies, or about westerns in which the heroes are exclusively or almost exclusively men. 'Portrait de la jeune fille en feu' is also a contemporary response to the misogyny that dominates part of the history of cinema. But first of all it is a beautiful film with expressive and important messages.
There are four main characters in this film, all women, all forced to fight the rules and prejudices of the time and society in which they live. The Countess (Valeria Golino) lives on an island in Normandy and dreams of returning to her native Italy, which she had left behind by marriage. The only way that is accessible to her seems to be the marriage of her daughter Heloise (Adèle Haenel) with an Italian, but for this she needs a marriage portrait. After a failed attempt, Marianne (Noémie Merlant) an artist independent in character, with apparently a little more life experience, is invited. She also feels constrained in her art by the limits imposed by the society to women artists. The quartet is completed by the servant Sophie (Luàna Bajrami) who also has her secret - an unwanted pregnancy, which was very difficult to get rid of in those times. Between Heloise, just out of the monastery, forced into a future marriage before she could taste life, and Marianne, the artist who sublimates her feelings in art, a relationship starts, a relationship that will evolve into something that has no chance in the times in which the story is placed.
There are many interesting things in this film, but I think its charm comes in particular from the sincerity and lack of emphasis with which the relationship between the two girls is described - the discovery of the other but first of all the self-discovery of each one, the hesitations and the joy of being in each other. find in the other. Beautiful and convincing. The image is beautiful, almost every frame is elaborately elaborated in color and composition. The source of inspiration is the art of the period in which the action takes place, the avant-garde art of that period I would say, because it iuses the palette of artists who would dominate French art until the middle of the 19th century - Gericault, Millet, Corot. The film does not have a music soundtrack, but the music itself plays an important role, which deserves to be discovered when watching. The political message is clear and assertive, and we cannot help but sympathize with those women, each forced to face her own destiny alone, a century before women's rights became a topical issue in Europe. 'Portrait de la jeune fille en feu' is a film about art, about love, about the place of women in the world. A movie that deserves being looked for and seen.

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Portrait de la jeune fille en feu (2019) • movie. I watched this film at the 36th Annual JFF (Jerusalem Film Festival) and it was worth it. First, before the review, I want to point out that the movie touched my heart very much. Every scene and scene is pure and very real. The characters in the movie were a revelation to me and I don't doubt that the cast of the two main actresses, as I will explain below, impressed me greatly. Without wasting time, we set off! * This Review does not include spoilers * Portrait of a Lady on Fire, directed by Céline Sciamma (Fascinating, by the way) is a period love drama that takes place in 18th century France, when Marianne (the impressive Noémie Merlant), a beautiful young painter, is hired to paint the portrait of Eloise (Adèle Haenel is a high-class revelation) for her upcoming wedding. However, Eloise is not interested in getting married, and therefore refuses to cooperate with the wedding preparations in general, and with the portrait painting in particular. Marianne decides to hide the fact that she is a painter and presents herself as a companion designed to stir Eloise's time. At the same time, she watches her day after day and paints her secretly. The film is a visual poetry, with a feast for the ears and eyes, each richly textured frame and unique sound design, overpowering the most immersive viewing experience, and I recommend watching cinema instead of sitting in front of a small screen on the comfy couch at home. Every theme in the movie about love and self-discovery of the characters is serious and powerful, the dialogues between the characters are very interesting and very honest. The atmosphere in the film is both realistic and clearly poetic. The relationship between the two main characters is exceptional and also helps build the character of the characters. Noémie Merlant and Adèle Haenel's cast are a revelation and don't see it every day, which makes me want to see them in more movies. Claire Methon's photography was very wonderful, reflecting the historical background of 18th century ending left a mark on the film and this is one of the most amazing and exciting endings I've ever seen. Had the film been written and directed by someone else (even if it is a man or a woman), the film would have felt fake and pathetic, and the relationship between the characters would have been unreliable. Fortunately, here comes Sciamma, whose feminine perspective and innovative demeanor transform what could have been a time-lapse into the powerful power of art, the enhancement of feminist cinema and the empowerment of modern and early audiences. There were some notable interactions in the film that one, I think, hint at the end of the film, such as a discussion of the significance of the Orpheus and Orodice Greek myth debate. From this it can be concluded that Siama's passion and humanity shows that it is the director's unflattering vision that is her most poetic. Full of people wonder why the movie is named after that. The truth is, the movie has a lot of meaning. First and foremost, this refers to an actual portrait drawn by the main protagonist, Marianne, but he also cites the film as a cinematic study of the lady in question, Lewis, whose dress is on fire at one point, as if the love and passion she experienced towards Marianne made her shatter Spontaneously brooding. The film won the Best Screenplay Award and the Queer Palm Award at the 2019 Cannes Film Festival and it deserved to win at all costs. "Portrait of the Girl on Fire" is the most genuine and sincere artistic film I have seen in the past decade and in my opinion the most LBGT movie I have ever experienced. This movie is a must watch movie and not home, remember well.

Portrait de la jeune fille en feu d. Portrait de la jeune fille en feud. God damn. simply wondrous. at one point i stopped breathing, some scenes were intense. Portrait de la jeune fille en feu entretien. Top Rated Movies #228 | Nominated for 1 Golden Globe. Another 43 wins & 124 nominations. See more awards » Edit Storyline In 18th century France a young painter, Marianne, is commissioned to do the wedding portrait of Héloïse without her knowing. Therefore, Marianne must observe her model by day to paint her portrait at night. Day by day, the two women become closer as they share Héloïse's last moments of freedom before the impending wedding. Plot Summary Add Synopsis Did You Know? Trivia This film is part of the Criterion Collection, spine #1034. See more » Goofs Marianne's brushwork is not of the late 18th century; it is a more modern style. See more » Quotes Héloïse: Turn around. See more » Connections Featured in 2020 Golden Globe Awards (2020) Soundtracks Portrait de la jeune fille en feu (Bande originale du film) Para One, Arthur Simonini See more » Frequently Asked Questions See more » Details Release Date: 14 February 2020 (USA) Also Known As: Portrait of a Lady on Fire Box Office Opening Weekend USA: $67, 344, 8 December 2019 Cumulative Worldwide Gross: $22, 978, 382 See more on IMDbPro » Company Credits Technical Specs See full technical specs ».

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